Words from behind the scenes at the Alabama Shakespeare Festival. A glimpse into the day to day of producing world class theatre in Montgomery, Alabama.
After two years in development through the Southern Writers' Project, Richard Aellen's provocative play "Nobody" is being given its World Premier in the Octagon Theatre at the Alabama Shakespeare Festival. A nearly full house rose to its feet at the conclusion of Sunday's opening performance. Spilling out into the lobby for a reception, conversations were intense and candid as the audience grappled with the play's themes and challenges...just one of the things that makes live theatre exciting and important.
Set in the late 19th and early part of the 20th Century, "Nobody" traces the lives of two actual African-American vaudevillians, out of work and almost out of hope. Bert Williams [James Bowen] and George Walker [Sean Blake] meet in San Francisco and decide to team up and make their mark in the business. Williams is introspective and wants a career as a "serious" actor, playing Shakespearean roles; Walker is a ladies man and more brash, intending to make a lot of money by dazzling audiences with his quick wit. Neither is quite ready for the reality that faces them: they will only be considered for playing the stereotypical and degrading "Coon" roles; that is, until they decide to play in minstrel shows in burnt-cork Blackface, billing themselves as "Two Real Coons," a choice that leaves few alternatives from then on.
Pictured above left: James Bowen as Bert Williams. Right: James Bowen as Bert Williams, Erika LaVonn as Lottie Williams, Sean Blake as George Walker and Angela K. Thomas as Ada Overton Walker.
ASF repertory actress, and contributor to "Ask and Actor" on this blog, Lauren Sowa recently visited a local school room and shares this inspiring report!
"Oh, the THINKS you can think up if only you try! If you try, you can think up a GUFF going by."
I'm not quite sure what a Guff is, but if it's a creature that helps stir up the imagination of Alabama schoolchildren then I think there was one in Montgomery Friday. My fellow actor and roommate, Melanie and I went into the Highland Ave. Elementary School Friday to read a few Dr. Seuss books to the children as part of the Read Across America program. The kids were adorable and probably didn't know what to make of us with our silly voices and large gestures. Melanie read "Oh, the THINKS you can think!" with gusto and I ended up reading the teacher's choice: "Bartholomew and the Oobleck" - never heard of it? Me neither. Have you ever tried to sight read a Dr. Seuss book?!?! Not easy. About halfway through I realized I was working up a sweat - playing five or so different characters and warning the people of the Kingdom of Didd that large blobs of oobleck were raining from the sky! The book, in the end, teaches the importance of the simple and powerful words "I'm sorry." All in all, it was a hour well spent, sharing the joy of reading and the power of imagination with a small classroom full of the creative minds of the next generation. Now, back to Shakespeare!
Margaret Loesser Robinson from the Cast of Nobody shares her experiences in Montgomery while in rehearsals for the show.
I started my journey to the Alabama Shakespeare Festival under one week ago at LaGuardia airport. After having sat at my flight’s gate for about an hour, a man turned around, looked at me and pointed at me. I pointed back. We had found each other--somehow, you can just tell who amongst your fellow passengers is your fellow actor. Call it artistic profiling. And so began our journey--we flew into Atlanta, and were met by our wonderful company manager, Crystal, and met several other cast members before starting the drive to Montgomery. I’ve been ready to come to Montgomery for some time; I have held a long distance fondness for the south and things southern for some time now but have only made it as far down as Florida, and so I greeted the warm air, the hospitality, the accent, and the biscuits eagerly. One of my favorite things about being a regional theatre actor is getting to live in and experience new places--make a temporary home and try to take advantage of my free time to do some exploring. And free time is something I have in some abundance at the moment--I don’t make my way onto the stage until the second act in Nobody, so I’ve had the luxury of getting out and about in advance of our first official day off. Already, I’ve been to the Zelda Sayre and F. Scott Fitzgerald Museum in the beautiful Cloverdale Historic District. When I arrived, I was greeted by the man who has run the museum for the past five years and actually lives in the house itself (with his cat, named Zelda, of course) who invited me to sit down in the living room and chat before looking around; this is part of what I love already about the south. People take a little more time here, time to get to know one another. He actually offered to rent me an apartment in Zelda’s childhood home for 500 dollars a month when he found out I was a Zelda fan--an offer I seriously considered for a brief moment. As we parted ways, he remarked that as a “living historian,” he and I, as an actor, had a lot in common as people who keep the past alive. On the sun porch, there was a faded newspaper article about a play performed at ASF years ago called Zelda.
Already, I have taken a quick drive though downtown Montgomery just to get a lay of the land, have enjoyed Publix to no end, and am a fan of Zoe’s Kitchen in Eastchase. I also made my first visit to the Museum of Fine Art--I am sure to be back. I liked Café Mfor its name, and also for its food, and yet again for Jonas, who let me try the Brunswick Stew when he found out (yes, from my “accent”) that I wasn’t from the south and had never tried or heard of this delicacy. It was delicious and I felt indoctrinated in a way. I saw Jonas a couple of days later--he was working at an event before a performance of (the excellent) Harriet’s Return and he remembered my name! New York City, this is not.
As I continue to explore Montgomery and its environs, I am also hard at work finding out all there is to know about Eva Tanguay, the real life vaudevillian I play in Nobody. She was a real madcap, and tales of her backstage antics--including an arrest for sticking a stagehand with a hatpin--are wild. Here’s a link to a NYTimes article about the arrest. This clip of Bert Williams singing “Nobody” may also be of interest.
I’m looking forward to sharing more of our casts adventures--on stage and off…
Margaret Loesser Robinson recently arrived in Montgomery to play the role of Eva Tanguay in the world premiere of Nobody at ASF. This new musical is based on the true-life characters of Bert Williams and George Walker, two African-American vaudevillians who couldn't catch a break at the big-time until they did the unthinkable and performed in black face. By doing so, they broke racial barriers and paved the way for modern entertainers of all racial backgrounds. Margaret's character, Eva Tanguay is another real-life vaudeville performer who worked in the same entertainment community as Bert Williams and George Walker.
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